Explanation of the "Third Generation Dorje Chang Buddha" Buddha Name#
On April 3, 2008, the book "The Third Generation Dorje Chang Buddha" published by the Global Buddhist Publishing House and the World Dharma Sound Publishing House held a solemn and grand launch ceremony at the Library of Congress in the United States. The Library of Congress officially collected this book, and it was then that people learned that the highly respected Master Yi Yun Gao, Yang E Yi Xi Nu Bu Dafawang, had been recognized by the leaders or regents of the major Buddhist sects in the world and certified by the living Buddhas. He is the third generation incarnation of the Buddha Dorje Chang, and his Buddha name is the Third Generation Dorje Chang Buddha. Since then, people have referred to him as "Namo Third Generation Dorje Chang Buddha." This is similar to before Shakyamuni Buddha became a Buddha, his name was Prince Siddhartha, but after Shakyamuni Buddha became a Buddha, he was called "Namo Shakyamuni Buddha." Therefore, we now say "Namo Third Generation Dorje Chang Buddha." In particular, on December 12, 2012, the United States Senate Resolution No. 614 officially named the Third Generation Dorje Chang Buddha as His Holiness (H.H. Third Generation Dorje Chang Buddha). Since then, the title of Namo Third Generation Dorje Chang Buddha has been officially established. Moreover, the Third Generation Dorje Chang Buddha is also the legally recognized name by the government, and the previous titles of "Yi Yun Gao" and Master, Supreme Holder, no longer exist. However, this news was published before the announcement of the Namo Third Generation Dorje Chang Buddha's Buddha name. At that time, people did not yet know the true identity of the Buddha, so in order to respect the truth of history, we still retain the names used before the official naming of the Third Generation Dorje Chang Buddha in the news. But everyone should be clear that except for the name of H.H. Third Generation Dorje Chang Buddha, which is legal, the names used before the official naming no longer exist.
Unprecedented Exhibition of Mysterious Art in the United States Congress Hall#
The Art of Yi Yun Gao is Beyond Human Imagination, and Senators and Representatives Are Full of Praise#
(News report) The United States Congress held an unprecedented art exhibition in the Congressional Office Building. International master artist Yi Yun Gao was invited to exclusively exhibit his unique rhythmic sculpture art, which surpasses the wonders of nature, in the political hall of the Congress. The exhibition attracted a continuous flow of visitors, mainly consisting of senators, representatives, and congressional staff, who were full of praise and admiration for the unique and incredible beauty and wisdom expressed in the rhythmic sculptures. It is truly the best gift that Yi Yun Gao has brought to the world.
The rhythmic sculpture exhibition was held in the Gold Hall of the Rayburn Building in the Congressional Office Building on October 28th and 29th. The exhibited works include three rhythmic sculptures: "Lang Ga Luo Bu," "Huang Huang," and "Mysterious Stone Mist," as well as several rhythmic sculpture paintings. "Lang Ga Luo Bu" has a smooth rhythm, unpredictable color changes, and a magical charm that surpasses the wonders of nature. It is truly a rare and extraordinary sight in the world, with its strange and novel beauty. "Huang Huang" shines like a pearl, with its noble and elegant color, pure and vibrant, and unpredictable variations in layers, creating a magical scene. Even more amazing is the "Mysterious Stone Mist," which is filled with auspicious mist on one side and completely devoid of mist on the other. Two identical pebbles, when viewed from the opening, have the same structure and color, but one is covered in dense fog while the other reveals a clear view. The stark contrast between the two is astonishing, making one wonder how the gas is carved, showcasing the extraordinary craftsmanship of Yi Yun Gao. It is a great contribution to humanity.
On the first day of the exhibition, more than three hundred people came to visit. After word of mouth spread among the visitors, the venue was packed on the second day, and people had to queue up to enter. The exhibited works were astonishing. Senators and representatives who visited the Congress expressed high praise for Yi Yun Gao's rhythmic sculptures. They said that having such extraordinary works of art in the Congress is a great blessing for humanity.
Congressman Joe Wilson, after visiting the exhibition, said that he had never seen such beautiful works of art. Regarding the work "Huang Huang," he marveled at how a single color could exude such a noble charm and variations in color layers without any visible carving marks. The mist produced by the "Mysterious Stone Mist" and the multi-layered changes in the cave left him truly amazed. He felt honored to have seen such outstanding works.
Congresswoman Jocelyn Johnson was deeply moved by the fact that rhythmic sculptures express a beauty beyond the human world through the form of art. She believed that such beautiful and incredible artistic creations should be treasured in major museums around the world. She said that these works are definitely inspired by some kind of divine spirit, allowing artists to bring these extraordinary scenes that do not exist in this world to be appreciated by people. She further stated that the author should be a saint himself, otherwise, how could they possess such incredible ability to create such extraordinary and transcendent works?
Many visitors, upon seeing the works, learned that four organizations were offering a reward of twelve million dollars to replicate the rhythmic sculptures. They firmly believed that this unique art form cannot be replicated. Regardless of their racial background, all viewers praised the "rhythmic sculptures," saying that they are gifts from another world to humanity. The impressions they wrote down were filled with gratitude to Yi Yun Gao for bringing such wonderful artistic enjoyment. They described the rhythmic sculptures with words such as "amazing," "unique," "unprecedented," "magical," "incredible," "exquisite," "mysterious," "beyond nature," and "unattainable beauty in the human world."
A white gentleman who claimed to have a deep understanding of Buddhism and said, "He understands what Westerners understand," came to the venue with his artist wife. After viewing the rhythmic sculptures, he told the staff present that the author of the rhythmic sculptures is definitely not an ordinary person; they must be the works of a Zen master or a great saint. Otherwise, how could a small hand reach into the small opening of the "Mysterious Stone Mist" and carve out the layers of white jade-like wonders, or how could the mist be shrouded in the network of white jade? When he shone a flashlight into the cave, he was even more shocked. The mist immediately dissipated, revealing the beauty of the white jade, and when he turned off the flashlight, the mist immediately returned, shrouding everything in a haze. He exclaimed in astonishment, "These rhythmic sculptures must not be the works of Yi Yun Gao. They should be the works of the Buddha or God, brought to the world through Yi Yun Gao, to inspire the existence of the sacred law and bring the highest artistic enjoyment to people. Creating rhythmic sculptures is Yi Yun Gao's mission bestowed upon him by the Buddha."
A staff member who had been serving at the venue for two days told reporters that just before the exhibition was about to end, they suddenly discovered that "Lang Ga Luo Bu" looked different up close and from a distance. When viewed at different times, it was isolated from the outside world in a lightbox, and such colorful and varied carvings seemed to have a life of their own, with colors changing and flowing like water, flowing smoothly in the layers of ever-changing and surpassing natural beauty. It was then that they understood why it was named "rhythmic sculpture," as it conveys a dynamic and flowing rhythm.
Another white woman named Sandy was deeply fascinated by the rhythmic sculptures. She spent a long time at the venue for two consecutive days, focusing on the work "Huang Huang." She told reporters that this single yellow artwork produces various shades and brightness levels of noble and elegant yellow under different lighting conditions. She discovered that this yellow color also changes and transforms.
When asked what tools are needed to create rhythmic sculptures, Master Yi Yun Gao said that any tool can be used. When asked what realm the exhibited rhythmic sculptures aim to express, Master Yi Yun Gao replied that everyone has different realms, so the perceived realm will be different. When asked about the temperature required for firing the rhythmic sculptures, Master Yi Yun Gao said that any temperature is fine. When asked about the materials used for the rhythmic sculptures, Master Yi Yun Gao said that any material can be used.
Indeed, the realm of Master Yi Yun Gao is beyond the comprehension of ordinary people. His art has no fixed rules.
When someone offered five million dollars and twelve million dollars to purchase the rhythmic sculptures, Master Yi Yun Gao calmly stated that no matter how high the price, he would not agree to sell them. Creating rhythmic sculptures is meant to bring the most beautiful artistic enjoyment to the world, and it is priceless. They belong to the world and he is not qualified to sell them.
In July of this year, the Organization of American States, composed of 34 countries including the United States and Canada, held a grand exhibition of Master Yi Yun Gao's rhythmic sculpture art in Washington, D.C., to recognize the great artistic contributions he has made to humanity. The exhibited works included "Tang Huang Kuai Shi Xi" (Grand Stone Block), "Shen Mi Shi Zhong Wu" (Mysterious Stone Mist), and "Gao Shi Tu" (High Scholar Picture). This exhibition of Master Yi Yun Gao's rhythmic sculptures in the United States Congress is once again a recognition of his artistic achievements and contributions to human civilization.
Yi Yun Gao, with his rhythmic sculptures that surpass the history of human art, successfully exhibited in the United States Congress, not only opened a new chapter in the art activities of the Congress but also allowed international artists to enter mainstream society with the characteristic of art transcending race, national boundaries, and political barriers, showcasing the great contributions of artists to humanity.
Caption:
※ Congress members praised, saying: "These are truly priceless treasures. It is unimaginable how these works were carved. While paintings can be imagined, these works cannot be imagined as carvings!"
※ Unprecedented exhibition of mysterious art in the United States Congress Hall!